● 展覽介紹 Exhibition Statement：
2019年的春天，我來到花東，在縱谷的大片天地間偶然開啟了關於土地、自然與內在的對話。 在我的地景塗畫(Drawing Landscape)攝影系列發展過程中，我一直想要突破攝影作品的尺寸，讓現地製作的塗畫能夠以接近一比一的方式呈現在觀眾面前。

我冒昧地打了通電話給藝術家朋友鍾順龍，詢問他是否能協助我這次新作品的拍攝，而他出乎意料的答應了我的情求。在正式拍攝之前，我獨自花了很多時間騎著摩托車在鳳林的鄉間穿梭，我發現有種美隱隱地吸引著我，那股吸引力隱藏在鳳林各種不起眼的角落裡。我試著不做太多的思索，身上背著一大袋的「材料包」，裡面有各式各樣的紙張、鐵絲、布料等。一旦眼前的景象觸動了我，我便興奮地蹲在路邊裝置起來。

在拍攝過程中，我和助理們常常早上三點半起床，四點便出門來到裝置現場，希望能趕在早上的烈陽之前拍照。誰知常常當一切就緒時，起風了或下起雨了，一早上的辛勞頓時化作一場空。當天公作美的那個清晨終於來到時，順龍在4x5的相機面前熟練的搖著黑卡，助理則在一旁小聲數著30秒，那個當下在場的任何人都不敢動，一切都化做為攝影裡的留白，並成為自然裡的空與無，它們不存在在過去或未來，不屬於任何人，最後只能留下一種永恒的感覺。

In the spring of 2019, I arrived in Hualien and stumbled upon a vast expanse of land in the valley, initiating an unexpected dialogue about land, nature, and inner self. Throughout the development of my 'Drawing Landscape' photography series, I aimed to transcend the dimensions of photographic works, enabling on-site drawings to be presented to the audience in a nearly one-to-one scale.
Boldly, I made a call to my artist friend, Chung Soon-Long, asking if he could assist me in capturing this new piece, and unexpectedly, he agreed to my request. Before the official shoot, I spent a lot of time riding a motorcycle alone through the countryside of Fenglin. I discovered a hidden beauty subtly drawing me in, concealed within the unassuming corners of Fenglin. I tried not to overthink, carrying a large bag of 'material kits' containing various papers, wires, fabrics, and more. Once moved by the scenery before me, I excitedly squatted by the roadside to set up.
During the shooting process, my assistants and I often woke up at three-thirty in the morning, leaving by four to reach the installation site, hoping to capture the photographs before the harsh morning sun. However, more often than not, just when everything was ready, the wind would pick up or rain would start, rendering our morning's toil futile. Finally, on that beautiful morning when nature cooperated, Soon-Long expertly handled the 4x5 camera while the assistants quietly counted to thirty seconds beside it. At that moment, no one present dared to move; everything turned into the blank spaces within the photographs, becoming emptiness and nothingness in nature. They did not exist in the past or future, belonged to no one, and in the end, only left behind an eternal sense.