Winning Works
得獎作品
彼時的姿勢|盧佳甫
入選 Selected Work Award
死亡如同空氣般伴隨著我們存在,但人們通常選擇忽略直到不得不正視它的那一刻。因此,藉由凝視身邊最常被無視的死體,這套作品試圖重新將死亡從人腦最陰暗的角落拉上眼前,讓觀者有機會體認並思考其存在。
Death is around us, but people always forget it like we ignore the air we are breathing every second.
When the final moment arrives, suddenly we aware it is there but we get already no chance to think anymore.
In this series, I try to gaze those corpses ignored in our common life, to bring the “Death” topic from the darkest corner of our conscious back to our vision.
By this way, I hope we can seriously think and face its existence and know how to stay with it.
■ 拍攝地點 Location:嘉義 Chiayi、高雄 Kaohsiung
■ 攝影條件 Condition:5.9mm、F/3.5、1/400s (等效28mm);60mm、F/9、1/100s;42mm、F/9、1/250s;6mm、F/4、1/100s (等效28mm);5.9mm、F/7.1、1/500s (等效28mm)
彼時的姿勢|盧佳甫
入選 Selected Work Award
死亡如同空氣般伴隨著我們存在,但人們通常選擇忽略直到不得不正視它的那一刻。因此,藉由凝視身邊最常被無視的死體,這套作品試圖重新將死亡從人腦最陰暗的角落拉上眼前,讓觀者有機會體認並思考其存在。
Death is around us, but people always forget it like we ignore the air we are breathing every second.
When the final moment arrives, suddenly we aware it is there but we get already no chance to think anymore.
In this series, I try to gaze those corpses ignored in our common life, to bring the “Death” topic from the darkest corner of our conscious back to our vision.
By this way, I hope we can seriously think and face its existence and know how to stay with it.
■ 拍攝地點 Location:嘉義 Chiayi、高雄 Kaohsiung
■ 攝影條件 Condition:5.9mm、F/3.5、1/400s (等效28mm);60mm、F/9、1/100s;42mm、F/9、1/250s;6mm、F/4、1/100s (等效28mm);5.9mm、F/7.1、1/500s (等效28mm)
彼時的姿勢|盧佳甫
入選 Selected Work Award
死亡如同空氣般伴隨著我們存在,但人們通常選擇忽略直到不得不正視它的那一刻。因此,藉由凝視身邊最常被無視的死體,這套作品試圖重新將死亡從人腦最陰暗的角落拉上眼前,讓觀者有機會體認並思考其存在。
Death is around us, but people always forget it like we ignore the air we are breathing every second.
When the final moment arrives, suddenly we aware it is there but we get already no chance to think anymore.
In this series, I try to gaze those corpses ignored in our common life, to bring the “Death” topic from the darkest corner of our conscious back to our vision.
By this way, I hope we can seriously think and face its existence and know how to stay with it.
■ 拍攝地點 Location:嘉義 Chiayi、高雄 Kaohsiung
■ 攝影條件 Condition:5.9mm、F/3.5、1/400s (等效28mm);60mm、F/9、1/100s;42mm、F/9、1/250s;6mm、F/4、1/100s (等效28mm);5.9mm、F/7.1、1/500s (等效28mm)
彼時的姿勢|盧佳甫
入選 Selected Work Award
死亡如同空氣般伴隨著我們存在,但人們通常選擇忽略直到不得不正視它的那一刻。因此,藉由凝視身邊最常被無視的死體,這套作品試圖重新將死亡從人腦最陰暗的角落拉上眼前,讓觀者有機會體認並思考其存在。
Death is around us, but people always forget it like we ignore the air we are breathing every second.
When the final moment arrives, suddenly we aware it is there but we get already no chance to think anymore.
In this series, I try to gaze those corpses ignored in our common life, to bring the “Death” topic from the darkest corner of our conscious back to our vision.
By this way, I hope we can seriously think and face its existence and know how to stay with it.
■ 拍攝地點 Location:嘉義 Chiayi、高雄 Kaohsiung
■ 攝影條件 Condition:5.9mm、F/3.5、1/400s (等效28mm);60mm、F/9、1/100s;42mm、F/9、1/250s;6mm、F/4、1/100s (等效28mm);5.9mm、F/7.1、1/500s (等效28mm)
彼時的姿勢|盧佳甫
入選 Selected Work Award
死亡如同空氣般伴隨著我們存在,但人們通常選擇忽略直到不得不正視它的那一刻。因此,藉由凝視身邊最常被無視的死體,這套作品試圖重新將死亡從人腦最陰暗的角落拉上眼前,讓觀者有機會體認並思考其存在。
Death is around us, but people always forget it like we ignore the air we are breathing every second.
When the final moment arrives, suddenly we aware it is there but we get already no chance to think anymore.
In this series, I try to gaze those corpses ignored in our common life, to bring the “Death” topic from the darkest corner of our conscious back to our vision.
By this way, I hope we can seriously think and face its existence and know how to stay with it.
■ 拍攝地點 Location:嘉義 Chiayi、高雄 Kaohsiung
■ 攝影條件 Condition:5.9mm、F/3.5、1/400s (等效28mm);60mm、F/9、1/100s;42mm、F/9、1/250s;6mm、F/4、1/100s (等效28mm);5.9mm、F/7.1、1/500s (等效28mm)




