Winning Works
得獎作品
異質風景｜楊安琪
佳作 Fine Work Award
攝影之於我，是一種整理、探索、理解自己的工具，生活中一般人不以為意的場景及角落，為何會引發我的注意？
在當下直覺的觸動慾望、並按下快門，是景？非景！恰如一面鏡的反射，影像便猶如塔羅，內含隱晦的象徵圖騰，透過我見的畫面，解讀線索並從中看見我自己，與潛意識進行對話...而有趣的是:同一幅影像，會在不同的時間點，反映自己不同的心境及狀態。
讓自己「有意識」的觀看與生活，透過鏡頭的媒介，得到意外的體驗和生命啟示。
To me, the photography is a way of exploring and organzing my thoughts. It is a tool that helps me understanding myself.
Why are those sights and imgaes attracted me so much when others don’t even notice them? What makes me intuitively pressing the shutter to capture those moments on my camera? Is the scenery, the subject, or neither? It is rather like a tarot card, the image is a reflection of my vague inner vistas. The obscure symbolic totems that makes up my “self” are coming to live in photos. By interpreting the visual clues, I see myself more cystal clear. Moreover, I am able to conduct a dialogue with my inner voice.
The interesting thing is that the exact same image can represent many different mood of mine depends on the timing. The lens only serves as a medium, allowing me to live and to observe the world around me with a sharper awareness. Last but not least, the lens give me an revelatory experience what life is all about.
■ 拍攝年份 Year：2013、2011、2012、2013、2013
■ 拍攝地點 Location：台灣台北Taipei, Taiwan、澳洲雪梨Sydney, Australia、金門Kinmen、台灣南投Nantou, Taiwan、台灣台北Taipei, Taiwan
■ 攝影條件 Condition：Canon5D2(40mm, f/8, 1/500s)、Autofocus camera(16.7mm, f/5.6, 1/400s)、Canon5D2(191mm, f/8, 1/500s)、Canon5D2(70mm, f/8, 1/60s)、iphone(3.85mm, f/2.8, 1/560s)
異質風景｜楊安琪
佳作 Fine Work Award
攝影之於我，是一種整理、探索、理解自己的工具，生活中一般人不以為意的場景及角落，為何會引發我的注意？
在當下直覺的觸動慾望、並按下快門，是景？非景！恰如一面鏡的反射，影像便猶如塔羅，內含隱晦的象徵圖騰，透過我見的畫面，解讀線索並從中看見我自己，與潛意識進行對話...而有趣的是:同一幅影像，會在不同的時間點，反映自己不同的心境及狀態。
讓自己「有意識」的觀看與生活，透過鏡頭的媒介，得到意外的體驗和生命啟示。
To me, the photography is a way of exploring and organzing my thoughts. It is a tool that helps me understanding myself.
Why are those sights and imgaes attracted me so much when others don’t even notice them? What makes me intuitively pressing the shutter to capture those moments on my camera? Is the scenery, the subject, or neither? It is rather like a tarot card, the image is a reflection of my vague inner vistas. The obscure symbolic totems that makes up my “self” are coming to live in photos. By interpreting the visual clues, I see myself more cystal clear. Moreover, I am able to conduct a dialogue with my inner voice.
The interesting thing is that the exact same image can represent many different mood of mine depends on the timing. The lens only serves as a medium, allowing me to live and to observe the world around me with a sharper awareness. Last but not least, the lens give me an revelatory experience what life is all about.
■ 拍攝年份 Year：2013、2011、2012、2013、2013
■ 拍攝地點 Location：台灣台北Taipei, Taiwan、澳洲雪梨Sydney, Australia、金門Kinmen、台灣南投Nantou, Taiwan、台灣台北Taipei, Taiwan
■ 攝影條件 Condition：Canon5D2(40mm, f/8, 1/500s)、Autofocus camera(16.7mm, f/5.6, 1/400s)、Canon5D2(191mm, f/8, 1/500s)、Canon5D2(70mm, f/8, 1/60s)、iphone(3.85mm, f/2.8, 1/560s)
異質風景｜楊安琪
佳作 Fine Work Award
攝影之於我，是一種整理、探索、理解自己的工具，生活中一般人不以為意的場景及角落，為何會引發我的注意？
在當下直覺的觸動慾望、並按下快門，是景？非景！恰如一面鏡的反射，影像便猶如塔羅，內含隱晦的象徵圖騰，透過我見的畫面，解讀線索並從中看見我自己，與潛意識進行對話...而有趣的是:同一幅影像，會在不同的時間點，反映自己不同的心境及狀態。
讓自己「有意識」的觀看與生活，透過鏡頭的媒介，得到意外的體驗和生命啟示。
To me, the photography is a way of exploring and organzing my thoughts. It is a tool that helps me understanding myself.
Why are those sights and imgaes attracted me so much when others don’t even notice them? What makes me intuitively pressing the shutter to capture those moments on my camera? Is the scenery, the subject, or neither? It is rather like a tarot card, the image is a reflection of my vague inner vistas. The obscure symbolic totems that makes up my “self” are coming to live in photos. By interpreting the visual clues, I see myself more cystal clear. Moreover, I am able to conduct a dialogue with my inner voice.
The interesting thing is that the exact same image can represent many different mood of mine depends on the timing. The lens only serves as a medium, allowing me to live and to observe the world around me with a sharper awareness. Last but not least, the lens give me an revelatory experience what life is all about.
■ 拍攝年份 Year：2013、2011、2012、2013、2013
■ 拍攝地點 Location：台灣台北Taipei, Taiwan、澳洲雪梨Sydney, Australia、金門Kinmen、台灣南投Nantou, Taiwan、台灣台北Taipei, Taiwan
■ 攝影條件 Condition：Canon5D2(40mm, f/8, 1/500s)、Autofocus camera(16.7mm, f/5.6, 1/400s)、Canon5D2(191mm, f/8, 1/500s)、Canon5D2(70mm, f/8, 1/60s)、iphone(3.85mm, f/2.8, 1/560s)
異質風景｜楊安琪
佳作 Fine Work Award
攝影之於我，是一種整理、探索、理解自己的工具，生活中一般人不以為意的場景及角落，為何會引發我的注意？
在當下直覺的觸動慾望、並按下快門，是景？非景！恰如一面鏡的反射，影像便猶如塔羅，內含隱晦的象徵圖騰，透過我見的畫面，解讀線索並從中看見我自己，與潛意識進行對話...而有趣的是:同一幅影像，會在不同的時間點，反映自己不同的心境及狀態。
讓自己「有意識」的觀看與生活，透過鏡頭的媒介，得到意外的體驗和生命啟示。
To me, the photography is a way of exploring and organzing my thoughts. It is a tool that helps me understanding myself.
Why are those sights and imgaes attracted me so much when others don’t even notice them? What makes me intuitively pressing the shutter to capture those moments on my camera? Is the scenery, the subject, or neither? It is rather like a tarot card, the image is a reflection of my vague inner vistas. The obscure symbolic totems that makes up my “self” are coming to live in photos. By interpreting the visual clues, I see myself more cystal clear. Moreover, I am able to conduct a dialogue with my inner voice.
The interesting thing is that the exact same image can represent many different mood of mine depends on the timing. The lens only serves as a medium, allowing me to live and to observe the world around me with a sharper awareness. Last but not least, the lens give me an revelatory experience what life is all about.
■ 拍攝年份 Year：2013、2011、2012、2013、2013
■ 拍攝地點 Location：台灣台北Taipei, Taiwan、澳洲雪梨Sydney, Australia、金門Kinmen、台灣南投Nantou, Taiwan、台灣台北Taipei, Taiwan
■ 攝影條件 Condition：Canon5D2(40mm, f/8, 1/500s)、Autofocus camera(16.7mm, f/5.6, 1/400s)、Canon5D2(191mm, f/8, 1/500s)、Canon5D2(70mm, f/8, 1/60s)、iphone(3.85mm, f/2.8, 1/560s)
異質風景｜楊安琪
佳作 Fine Work Award
攝影之於我，是一種整理、探索、理解自己的工具，生活中一般人不以為意的場景及角落，為何會引發我的注意？
在當下直覺的觸動慾望、並按下快門，是景？非景！恰如一面鏡的反射，影像便猶如塔羅，內含隱晦的象徵圖騰，透過我見的畫面，解讀線索並從中看見我自己，與潛意識進行對話...而有趣的是:同一幅影像，會在不同的時間點，反映自己不同的心境及狀態。
讓自己「有意識」的觀看與生活，透過鏡頭的媒介，得到意外的體驗和生命啟示。
To me, the photography is a way of exploring and organzing my thoughts. It is a tool that helps me understanding myself.
Why are those sights and imgaes attracted me so much when others don’t even notice them? What makes me intuitively pressing the shutter to capture those moments on my camera? Is the scenery, the subject, or neither? It is rather like a tarot card, the image is a reflection of my vague inner vistas. The obscure symbolic totems that makes up my “self” are coming to live in photos. By interpreting the visual clues, I see myself more cystal clear. Moreover, I am able to conduct a dialogue with my inner voice.
The interesting thing is that the exact same image can represent many different mood of mine depends on the timing. The lens only serves as a medium, allowing me to live and to observe the world around me with a sharper awareness. Last but not least, the lens give me an revelatory experience what life is all about.
■ 拍攝年份 Year：2013、2011、2012、2013、2013
■ 拍攝地點 Location：台灣台北Taipei, Taiwan、澳洲雪梨Sydney, Australia、金門Kinmen、台灣南投Nantou, Taiwan、台灣台北Taipei, Taiwan
■ 攝影條件 Condition：Canon5D2(40mm, f/8, 1/500s)、Autofocus camera(16.7mm, f/5.6, 1/400s)、Canon5D2(191mm, f/8, 1/500s)、Canon5D2(70mm, f/8, 1/60s)、iphone(3.85mm, f/2.8, 1/560s)