Winning Works
得獎作品
容顏失格｜吳峻銘
評審特別獎 Special Jury Award
對於時下流行拍攝人像的一個反思。我也拍過這樣的題材，拍攝人像並沒有對或錯，人像拍攝是一種創作題材，但如果只是將女性物化成為一種工具，那麼則是一種病態!病態的教育我們什麼樣的美才是美!好像擁有美妙的容顏、姣好的身材，才可以成為那照片中的主角，可是卻鮮少可以看見照片中那人的特質或背後所想表達的涵義，只是一種空洞的美感呈現!因此我將我自己所拍的女性容貌進行解構、重組、毀壞、戲謔、拼貼!看看失去容貌之後的照片還剩下什麼?
These photos are a reflection on the currently popular images of (female) faces. Of course there is nothing wrong with taking pictures of female faces; it’s a valid subject of photography. However, the moment these photos only serve to objectify and utilize women, we are dealing with a sick, twisted way of telling us what to find beautiful! It’s as if you’re only worthy of having you’re picture taken if you have a pretty face and a stunning body. However, all these images of gorgeous women rarely reveal anything about their subject’s personality or individual quirks. There is no sense of an actual human being, only an empty façade of “beauty”! That’s why I decided to deconstruct, to de-face and reassemble my images of women’s countenances, to subject them to a process of pastiche, collage, and ironic distancing. Let’s see what’s left of the images after all that! Are they blemished? Or more genuine?
■ 拍攝地點 Location：台北Taipei
■ 攝影條件 Condition：Canon 5D2、RICOH GR、18.3 mm、ƒ/2.8、1/30s、ISO 1600
容顏失格｜吳峻銘
評審特別獎 Special Jury Award
對於時下流行拍攝人像的一個反思。我也拍過這樣的題材，拍攝人像並沒有對或錯，人像拍攝是一種創作題材，但如果只是將女性物化成為一種工具，那麼則是一種病態!病態的教育我們什麼樣的美才是美!好像擁有美妙的容顏、姣好的身材，才可以成為那照片中的主角，可是卻鮮少可以看見照片中那人的特質或背後所想表達的涵義，只是一種空洞的美感呈現!因此我將我自己所拍的女性容貌進行解構、重組、毀壞、戲謔、拼貼!看看失去容貌之後的照片還剩下什麼?
These photos are a reflection on the currently popular images of (female) faces. Of course there is nothing wrong with taking pictures of female faces; it’s a valid subject of photography. However, the moment these photos only serve to objectify and utilize women, we are dealing with a sick, twisted way of telling us what to find beautiful! It’s as if you’re only worthy of having you’re picture taken if you have a pretty face and a stunning body. However, all these images of gorgeous women rarely reveal anything about their subject’s personality or individual quirks. There is no sense of an actual human being, only an empty façade of “beauty”! That’s why I decided to deconstruct, to de-face and reassemble my images of women’s countenances, to subject them to a process of pastiche, collage, and ironic distancing. Let’s see what’s left of the images after all that! Are they blemished? Or more genuine?
■ 拍攝地點 Location：台北Taipei
■ 攝影條件 Condition：Canon 5D2、RICOH GR、18.3 mm、ƒ/2.8、1/30s、ISO 1600
容顏失格｜吳峻銘
評審特別獎 Special Jury Award
對於時下流行拍攝人像的一個反思。我也拍過這樣的題材，拍攝人像並沒有對或錯，人像拍攝是一種創作題材，但如果只是將女性物化成為一種工具，那麼則是一種病態!病態的教育我們什麼樣的美才是美!好像擁有美妙的容顏、姣好的身材，才可以成為那照片中的主角，可是卻鮮少可以看見照片中那人的特質或背後所想表達的涵義，只是一種空洞的美感呈現!因此我將我自己所拍的女性容貌進行解構、重組、毀壞、戲謔、拼貼!看看失去容貌之後的照片還剩下什麼?
These photos are a reflection on the currently popular images of (female) faces. Of course there is nothing wrong with taking pictures of female faces; it’s a valid subject of photography. However, the moment these photos only serve to objectify and utilize women, we are dealing with a sick, twisted way of telling us what to find beautiful! It’s as if you’re only worthy of having you’re picture taken if you have a pretty face and a stunning body. However, all these images of gorgeous women rarely reveal anything about their subject’s personality or individual quirks. There is no sense of an actual human being, only an empty façade of “beauty”! That’s why I decided to deconstruct, to de-face and reassemble my images of women’s countenances, to subject them to a process of pastiche, collage, and ironic distancing. Let’s see what’s left of the images after all that! Are they blemished? Or more genuine?
■ 拍攝地點 Location：台北Taipei
■ 攝影條件 Condition：Canon 5D2、RICOH GR、18.3 mm、ƒ/2.8、1/30s、ISO 1600
容顏失格｜吳峻銘
評審特別獎 Special Jury Award
對於時下流行拍攝人像的一個反思。我也拍過這樣的題材，拍攝人像並沒有對或錯，人像拍攝是一種創作題材，但如果只是將女性物化成為一種工具，那麼則是一種病態!病態的教育我們什麼樣的美才是美!好像擁有美妙的容顏、姣好的身材，才可以成為那照片中的主角，可是卻鮮少可以看見照片中那人的特質或背後所想表達的涵義，只是一種空洞的美感呈現!因此我將我自己所拍的女性容貌進行解構、重組、毀壞、戲謔、拼貼!看看失去容貌之後的照片還剩下什麼?
These photos are a reflection on the currently popular images of (female) faces. Of course there is nothing wrong with taking pictures of female faces; it’s a valid subject of photography. However, the moment these photos only serve to objectify and utilize women, we are dealing with a sick, twisted way of telling us what to find beautiful! It’s as if you’re only worthy of having you’re picture taken if you have a pretty face and a stunning body. However, all these images of gorgeous women rarely reveal anything about their subject’s personality or individual quirks. There is no sense of an actual human being, only an empty façade of “beauty”! That’s why I decided to deconstruct, to de-face and reassemble my images of women’s countenances, to subject them to a process of pastiche, collage, and ironic distancing. Let’s see what’s left of the images after all that! Are they blemished? Or more genuine?
■ 拍攝地點 Location：台北Taipei
■ 攝影條件 Condition：Canon 5D2、RICOH GR、18.3 mm、ƒ/2.8、1/30s、ISO 1600
容顏失格｜吳峻銘
評審特別獎 Special Jury Award
對於時下流行拍攝人像的一個反思。我也拍過這樣的題材，拍攝人像並沒有對或錯，人像拍攝是一種創作題材，但如果只是將女性物化成為一種工具，那麼則是一種病態!病態的教育我們什麼樣的美才是美!好像擁有美妙的容顏、姣好的身材，才可以成為那照片中的主角，可是卻鮮少可以看見照片中那人的特質或背後所想表達的涵義，只是一種空洞的美感呈現!因此我將我自己所拍的女性容貌進行解構、重組、毀壞、戲謔、拼貼!看看失去容貌之後的照片還剩下什麼?
These photos are a reflection on the currently popular images of (female) faces. Of course there is nothing wrong with taking pictures of female faces; it’s a valid subject of photography. However, the moment these photos only serve to objectify and utilize women, we are dealing with a sick, twisted way of telling us what to find beautiful! It’s as if you’re only worthy of having you’re picture taken if you have a pretty face and a stunning body. However, all these images of gorgeous women rarely reveal anything about their subject’s personality or individual quirks. There is no sense of an actual human being, only an empty façade of “beauty”! That’s why I decided to deconstruct, to de-face and reassemble my images of women’s countenances, to subject them to a process of pastiche, collage, and ironic distancing. Let’s see what’s left of the images after all that! Are they blemished? Or more genuine?
■ 拍攝地點 Location：台北Taipei
■ 攝影條件 Condition：Canon 5D2、RICOH GR、18.3 mm、ƒ/2.8、1/30s、ISO 1600