誰來上座｜陳宗亨
入選 Selected Work Award
不知為何，在台灣的戶外常可見到各式不同的椅子擺放著，空蕩蕩的位置出現在想像不到的地方，有時似乎與環境格格不入，卻又呈現一種莫名的互動關係，就像是某種不切實際的存在，等待著不存在的某人到來。
For some reason, in Taiwan you frequently encounter all kinds of chairs, armchairs and even sofas in an out-of-doors setting. Often empty and inviting you to sit down, these open-air seating accommodations sometimes look a bit out of sync with their surroundings. Yet, there is always a strange sense of interaction with the environment, as well as a feeling of surrealistic existence, as if these pieces of furniture are waiting for some kind of Godot who’ll never come to take a seat.
■ 拍攝地點 Location：台灣 Taiwan
誰來上座｜陳宗亨
入選 Selected Work Award
不知為何，在台灣的戶外常可見到各式不同的椅子擺放著，空蕩蕩的位置出現在想像不到的地方，有時似乎與環境格格不入，卻又呈現一種莫名的互動關係，就像是某種不切實際的存在，等待著不存在的某人到來。
For some reason, in Taiwan you frequently encounter all kinds of chairs, armchairs and even sofas in an out-of-doors setting. Often empty and inviting you to sit down, these open-air seating accommodations sometimes look a bit out of sync with their surroundings. Yet, there is always a strange sense of interaction with the environment, as well as a feeling of surrealistic existence, as if these pieces of furniture are waiting for some kind of Godot who’ll never come to take a seat.
■ 拍攝地點 Location：台灣 Taiwan
誰來上座｜陳宗亨
入選 Selected Work Award
不知為何，在台灣的戶外常可見到各式不同的椅子擺放著，空蕩蕩的位置出現在想像不到的地方，有時似乎與環境格格不入，卻又呈現一種莫名的互動關係，就像是某種不切實際的存在，等待著不存在的某人到來。
For some reason, in Taiwan you frequently encounter all kinds of chairs, armchairs and even sofas in an out-of-doors setting. Often empty and inviting you to sit down, these open-air seating accommodations sometimes look a bit out of sync with their surroundings. Yet, there is always a strange sense of interaction with the environment, as well as a feeling of surrealistic existence, as if these pieces of furniture are waiting for some kind of Godot who’ll never come to take a seat.
■ 拍攝地點 Location：台灣 Taiwan
誰來上座｜陳宗亨
入選 Selected Work Award
不知為何，在台灣的戶外常可見到各式不同的椅子擺放著，空蕩蕩的位置出現在想像不到的地方，有時似乎與環境格格不入，卻又呈現一種莫名的互動關係，就像是某種不切實際的存在，等待著不存在的某人到來。
For some reason, in Taiwan you frequently encounter all kinds of chairs, armchairs and even sofas in an out-of-doors setting. Often empty and inviting you to sit down, these open-air seating accommodations sometimes look a bit out of sync with their surroundings. Yet, there is always a strange sense of interaction with the environment, as well as a feeling of surrealistic existence, as if these pieces of furniture are waiting for some kind of Godot who’ll never come to take a seat.
■ 拍攝地點 Location：台灣 Taiwan
誰來上座｜陳宗亨
入選 Selected Work Award
不知為何，在台灣的戶外常可見到各式不同的椅子擺放著，空蕩蕩的位置出現在想像不到的地方，有時似乎與環境格格不入，卻又呈現一種莫名的互動關係，就像是某種不切實際的存在，等待著不存在的某人到來。
For some reason, in Taiwan you frequently encounter all kinds of chairs, armchairs and even sofas in an out-of-doors setting. Often empty and inviting you to sit down, these open-air seating accommodations sometimes look a bit out of sync with their surroundings. Yet, there is always a strange sense of interaction with the environment, as well as a feeling of surrealistic existence, as if these pieces of furniture are waiting for some kind of Godot who’ll never come to take a seat.
■ 拍攝地點 Location：台灣 Taiwan
