無用之用|李碩
入選 Selected Work Award
「椅」作為與人類息息相關的物,它出現在本不該存在的某個角落,它經歷了什麼來到這,又為何以這樣的狀態出現?
As an object closely related to people, “a chair” appears at some corner it is not supposed to. What has it experienced before? Why does it appear in this way?
■ 拍攝年份 Year:2020-2022
■ 拍攝地點 Location:上海Shanghai
無用之用|李碩
入選 Selected Work Award
「椅」作為與人類息息相關的物,它出現在本不該存在的某個角落,它經歷了什麼來到這,又為何以這樣的狀態出現?
As an object closely related to people, “a chair” appears at some corner it is not supposed to. What has it experienced before? Why does it appear in this way?
■ 拍攝年份 Year:2020-2022
■ 拍攝地點 Location:上海Shanghai
無用之用|李碩
入選 Selected Work Award
「椅」作為與人類息息相關的物,它出現在本不該存在的某個角落,它經歷了什麼來到這,又為何以這樣的狀態出現?
As an object closely related to people, “a chair” appears at some corner it is not supposed to. What has it experienced before? Why does it appear in this way?
■ 拍攝年份 Year:2020-2022
■ 拍攝地點 Location:上海Shanghai
無用之用|李碩
入選 Selected Work Award
「椅」作為與人類息息相關的物,它出現在本不該存在的某個角落,它經歷了什麼來到這,又為何以這樣的狀態出現?
As an object closely related to people, “a chair” appears at some corner it is not supposed to. What has it experienced before? Why does it appear in this way?
■ 拍攝年份 Year:2020-2022
■ 拍攝地點 Location:上海Shanghai
無用之用|李碩
入選 Selected Work Award
「椅」作為與人類息息相關的物,它出現在本不該存在的某個角落,它經歷了什麼來到這,又為何以這樣的狀態出現?
As an object closely related to people, “a chair” appears at some corner it is not supposed to. What has it experienced before? Why does it appear in this way?
■ 拍攝年份 Year:2020-2022
■ 拍攝地點 Location:上海Shanghai