我走過這裡，可是我找不到｜鄭景中
入選 Selected Work Award
我經過這裡，可是找不到。雖然我的眼睛四處找，卻看不清楚，看不清楚我身在哪裡，柏油、水泥、鋼筋、玻璃，是被製造出來的。我，難道也是被設定在這個場景裡。出社會後，生存變成很重要的事，若不照規矩走，很容易被「這裡」消失。這裡沒有我的容身之處，可是你憑甚麼決定我身存的價值。
自然與文明，兩個不同的世界。我們的文明社會，發展「人」的生存價值，也同時剝奪其他物種的生存環境，並對他們的生存產生迫害。
進步可以證明甚麼？能表現的只有荒謬與殘忍。
I had passed by this place before, but couldn’t find it. Although I kept looking around for it, I couldn’t see clearly. I couldn’t make out where I was. The pavement, concrete, steel girders, glass are all manufactured materials. Could it be possible that have been set into this scene? After leaving home and getting a job, survival has become very important. It’s easy to disappear from “here” if you don’t follow the rules. There isn’t a place where I fit in here, so what right do you have to decide the value of my existence?
Nature and civilization. Two completely different worlds. Our civilized societies develop the existential value of “people”, while also depriving other species of their living environment and harming their survival.
What can progress prove? The only thing that it can manifest is absurdity and cruelty.
■ 拍攝年份 Year：2015
■ 拍攝地點 Location：台北 Taipei
■ 拍攝設定 Exposure：4mm, f/2.4, 1/60s
我走過這裡，可是我找不到｜鄭景中
入選 Selected Work Award
我經過這裡，可是找不到。雖然我的眼睛四處找，卻看不清楚，看不清楚我身在哪裡，柏油、水泥、鋼筋、玻璃，是被製造出來的。我，難道也是被設定在這個場景裡。出社會後，生存變成很重要的事，若不照規矩走，很容易被「這裡」消失。這裡沒有我的容身之處，可是你憑甚麼決定我身存的價值。
自然與文明，兩個不同的世界。我們的文明社會，發展「人」的生存價值，也同時剝奪其他物種的生存環境，並對他們的生存產生迫害。
進步可以證明甚麼？能表現的只有荒謬與殘忍。
I had passed by this place before, but couldn’t find it. Although I kept looking around for it, I couldn’t see clearly. I couldn’t make out where I was. The pavement, concrete, steel girders, glass are all manufactured materials. Could it be possible that have been set into this scene? After leaving home and getting a job, survival has become very important. It’s easy to disappear from “here” if you don’t follow the rules. There isn’t a place where I fit in here, so what right do you have to decide the value of my existence?
Nature and civilization. Two completely different worlds. Our civilized societies develop the existential value of “people”, while also depriving other species of their living environment and harming their survival.
What can progress prove? The only thing that it can manifest is absurdity and cruelty.
■ 拍攝年份 Year：2015
■ 拍攝地點 Location：台北 Taipei
■ 拍攝設定 Exposure：4mm, f/2.4, 1/60s
我走過這裡，可是我找不到｜鄭景中
入選 Selected Work Award
我經過這裡，可是找不到。雖然我的眼睛四處找，卻看不清楚，看不清楚我身在哪裡，柏油、水泥、鋼筋、玻璃，是被製造出來的。我，難道也是被設定在這個場景裡。出社會後，生存變成很重要的事，若不照規矩走，很容易被「這裡」消失。這裡沒有我的容身之處，可是你憑甚麼決定我身存的價值。
自然與文明，兩個不同的世界。我們的文明社會，發展「人」的生存價值，也同時剝奪其他物種的生存環境，並對他們的生存產生迫害。
進步可以證明甚麼？能表現的只有荒謬與殘忍。
I had passed by this place before, but couldn’t find it. Although I kept looking around for it, I couldn’t see clearly. I couldn’t make out where I was. The pavement, concrete, steel girders, glass are all manufactured materials. Could it be possible that have been set into this scene? After leaving home and getting a job, survival has become very important. It’s easy to disappear from “here” if you don’t follow the rules. There isn’t a place where I fit in here, so what right do you have to decide the value of my existence?
Nature and civilization. Two completely different worlds. Our civilized societies develop the existential value of “people”, while also depriving other species of their living environment and harming their survival.
What can progress prove? The only thing that it can manifest is absurdity and cruelty.
■ 拍攝年份 Year：2015
■ 拍攝地點 Location：台北 Taipei
■ 拍攝設定 Exposure：4mm, f/2.4, 1/60s
我走過這裡，可是我找不到｜鄭景中
入選 Selected Work Award
我經過這裡，可是找不到。雖然我的眼睛四處找，卻看不清楚，看不清楚我身在哪裡，柏油、水泥、鋼筋、玻璃，是被製造出來的。我，難道也是被設定在這個場景裡。出社會後，生存變成很重要的事，若不照規矩走，很容易被「這裡」消失。這裡沒有我的容身之處，可是你憑甚麼決定我身存的價值。
自然與文明，兩個不同的世界。我們的文明社會，發展「人」的生存價值，也同時剝奪其他物種的生存環境，並對他們的生存產生迫害。
進步可以證明甚麼？能表現的只有荒謬與殘忍。
I had passed by this place before, but couldn’t find it. Although I kept looking around for it, I couldn’t see clearly. I couldn’t make out where I was. The pavement, concrete, steel girders, glass are all manufactured materials. Could it be possible that have been set into this scene? After leaving home and getting a job, survival has become very important. It’s easy to disappear from “here” if you don’t follow the rules. There isn’t a place where I fit in here, so what right do you have to decide the value of my existence?
Nature and civilization. Two completely different worlds. Our civilized societies develop the existential value of “people”, while also depriving other species of their living environment and harming their survival.
What can progress prove? The only thing that it can manifest is absurdity and cruelty.
■ 拍攝年份 Year：2015
■ 拍攝地點 Location：台北 Taipei
■ 拍攝設定 Exposure：4mm, f/2.4, 1/60s
我走過這裡，可是我找不到｜鄭景中
入選 Selected Work Award
我經過這裡，可是找不到。雖然我的眼睛四處找，卻看不清楚，看不清楚我身在哪裡，柏油、水泥、鋼筋、玻璃，是被製造出來的。我，難道也是被設定在這個場景裡。出社會後，生存變成很重要的事，若不照規矩走，很容易被「這裡」消失。這裡沒有我的容身之處，可是你憑甚麼決定我身存的價值。
自然與文明，兩個不同的世界。我們的文明社會，發展「人」的生存價值，也同時剝奪其他物種的生存環境，並對他們的生存產生迫害。
進步可以證明甚麼？能表現的只有荒謬與殘忍。
I had passed by this place before, but couldn’t find it. Although I kept looking around for it, I couldn’t see clearly. I couldn’t make out where I was. The pavement, concrete, steel girders, glass are all manufactured materials. Could it be possible that have been set into this scene? After leaving home and getting a job, survival has become very important. It’s easy to disappear from “here” if you don’t follow the rules. There isn’t a place where I fit in here, so what right do you have to decide the value of my existence?
Nature and civilization. Two completely different worlds. Our civilized societies develop the existential value of “people”, while also depriving other species of their living environment and harming their survival.
What can progress prove? The only thing that it can manifest is absurdity and cruelty.
■ 拍攝年份 Year：2015
■ 拍攝地點 Location：台北 Taipei
■ 拍攝設定 Exposure：4mm, f/2.4, 1/60s
