Winning Works


得獎作品


母親愛我之血水面前的合理麻木|周越

入選 Selected Work Award


我陪她去買菜,發現不是超商那種菜市場。
這般場景在我看來是不對的:當眾屠殺、血水滿地、腥臭混雜、嚎啕滿天,並以「這是我剛剛殺的」作為品質保證,這樣的刺激讓我開始乾嘔。也才發現原來個子嬌小的母親,每天都在承受瀏覽屍體及挑揀屍體的壓力。
我用垂直於「食材」的角度紀錄,讓他們充滿畫面沒有具體邊界,以巨大的數量讓觀者直視這些每天呈現在我母親日常生活中─因為愛承受的視覺資訊能量,因為愛承擔的代價,因為愛選擇的合理麻木。

I accompanied her to buy groceries and discovered it wasn’t to a market like the supermarket.
Such a scene in my opinion is wrong: public butchering, blood all over, mix of stenches, cries and wailing, and claims of quality prefaced by “I just killed this one.” This kind of stimulation made me start feeling nauseous. It was also only then that I realized my diminutive mother had to deal with the pressure of having to look over and pick through the bodies every day.
I utilized a vertical slant on “food ingredients” to make a record, letting the subject fill the picture with no distinct edges and focusing on the massive amounts to enable the viewer to directly see that which manifests my mother’s day to day life – and because of her love how she has to bear the onslaught of visual information, and the price that she pays and her choosing to be reasonably numb because of that love.

■ 拍攝年份 Year:2015/2
■ 拍攝地點 Location:遼寧瀋陽 Shenyang, Liaoning
■ 拍攝設定 Exposure:28mm, f/2.8, 1/30s

母親愛我之血水面前的合理麻木|周越

入選 Selected Work Award


我陪她去買菜,發現不是超商那種菜市場。
這般場景在我看來是不對的:當眾屠殺、血水滿地、腥臭混雜、嚎啕滿天,並以「這是我剛剛殺的」作為品質保證,這樣的刺激讓我開始乾嘔。也才發現原來個子嬌小的母親,每天都在承受瀏覽屍體及挑揀屍體的壓力。
我用垂直於「食材」的角度紀錄,讓他們充滿畫面沒有具體邊界,以巨大的數量讓觀者直視這些每天呈現在我母親日常生活中─因為愛承受的視覺資訊能量,因為愛承擔的代價,因為愛選擇的合理麻木。

I accompanied her to buy groceries and discovered it wasn’t to a market like the supermarket.
Such a scene in my opinion is wrong: public butchering, blood all over, mix of stenches, cries and wailing, and claims of quality prefaced by “I just killed this one.” This kind of stimulation made me start feeling nauseous. It was also only then that I realized my diminutive mother had to deal with the pressure of having to look over and pick through the bodies every day.
I utilized a vertical slant on “food ingredients” to make a record, letting the subject fill the picture with no distinct edges and focusing on the massive amounts to enable the viewer to directly see that which manifests my mother’s day to day life – and because of her love how she has to bear the onslaught of visual information, and the price that she pays and her choosing to be reasonably numb because of that love.

■ 拍攝年份 Year:2015/2
■ 拍攝地點 Location:遼寧瀋陽 Shenyang, Liaoning
■ 拍攝設定 Exposure:28mm, f/2.8, 1/30s

母親愛我之血水面前的合理麻木|周越

入選 Selected Work Award


我陪她去買菜,發現不是超商那種菜市場。
這般場景在我看來是不對的:當眾屠殺、血水滿地、腥臭混雜、嚎啕滿天,並以「這是我剛剛殺的」作為品質保證,這樣的刺激讓我開始乾嘔。也才發現原來個子嬌小的母親,每天都在承受瀏覽屍體及挑揀屍體的壓力。
我用垂直於「食材」的角度紀錄,讓他們充滿畫面沒有具體邊界,以巨大的數量讓觀者直視這些每天呈現在我母親日常生活中─因為愛承受的視覺資訊能量,因為愛承擔的代價,因為愛選擇的合理麻木。

I accompanied her to buy groceries and discovered it wasn’t to a market like the supermarket.
Such a scene in my opinion is wrong: public butchering, blood all over, mix of stenches, cries and wailing, and claims of quality prefaced by “I just killed this one.” This kind of stimulation made me start feeling nauseous. It was also only then that I realized my diminutive mother had to deal with the pressure of having to look over and pick through the bodies every day.
I utilized a vertical slant on “food ingredients” to make a record, letting the subject fill the picture with no distinct edges and focusing on the massive amounts to enable the viewer to directly see that which manifests my mother’s day to day life – and because of her love how she has to bear the onslaught of visual information, and the price that she pays and her choosing to be reasonably numb because of that love.

■ 拍攝年份 Year:2015/2
■ 拍攝地點 Location:遼寧瀋陽 Shenyang, Liaoning
■ 拍攝設定 Exposure:28mm, f/2.8, 1/30s

母親愛我之血水面前的合理麻木|周越

入選 Selected Work Award


我陪她去買菜,發現不是超商那種菜市場。
這般場景在我看來是不對的:當眾屠殺、血水滿地、腥臭混雜、嚎啕滿天,並以「這是我剛剛殺的」作為品質保證,這樣的刺激讓我開始乾嘔。也才發現原來個子嬌小的母親,每天都在承受瀏覽屍體及挑揀屍體的壓力。
我用垂直於「食材」的角度紀錄,讓他們充滿畫面沒有具體邊界,以巨大的數量讓觀者直視這些每天呈現在我母親日常生活中─因為愛承受的視覺資訊能量,因為愛承擔的代價,因為愛選擇的合理麻木。

I accompanied her to buy groceries and discovered it wasn’t to a market like the supermarket.
Such a scene in my opinion is wrong: public butchering, blood all over, mix of stenches, cries and wailing, and claims of quality prefaced by “I just killed this one.” This kind of stimulation made me start feeling nauseous. It was also only then that I realized my diminutive mother had to deal with the pressure of having to look over and pick through the bodies every day.
I utilized a vertical slant on “food ingredients” to make a record, letting the subject fill the picture with no distinct edges and focusing on the massive amounts to enable the viewer to directly see that which manifests my mother’s day to day life – and because of her love how she has to bear the onslaught of visual information, and the price that she pays and her choosing to be reasonably numb because of that love.

■ 拍攝年份 Year:2015/2
■ 拍攝地點 Location:遼寧瀋陽 Shenyang, Liaoning
■ 拍攝設定 Exposure:28mm, f/2.8, 1/30s

母親愛我之血水面前的合理麻木|周越

入選 Selected Work Award


我陪她去買菜,發現不是超商那種菜市場。
這般場景在我看來是不對的:當眾屠殺、血水滿地、腥臭混雜、嚎啕滿天,並以「這是我剛剛殺的」作為品質保證,這樣的刺激讓我開始乾嘔。也才發現原來個子嬌小的母親,每天都在承受瀏覽屍體及挑揀屍體的壓力。
我用垂直於「食材」的角度紀錄,讓他們充滿畫面沒有具體邊界,以巨大的數量讓觀者直視這些每天呈現在我母親日常生活中─因為愛承受的視覺資訊能量,因為愛承擔的代價,因為愛選擇的合理麻木。

I accompanied her to buy groceries and discovered it wasn’t to a market like the supermarket.
Such a scene in my opinion is wrong: public butchering, blood all over, mix of stenches, cries and wailing, and claims of quality prefaced by “I just killed this one.” This kind of stimulation made me start feeling nauseous. It was also only then that I realized my diminutive mother had to deal with the pressure of having to look over and pick through the bodies every day.
I utilized a vertical slant on “food ingredients” to make a record, letting the subject fill the picture with no distinct edges and focusing on the massive amounts to enable the viewer to directly see that which manifests my mother’s day to day life – and because of her love how she has to bear the onslaught of visual information, and the price that she pays and her choosing to be reasonably numb because of that love.

■ 拍攝年份 Year:2015/2
■ 拍攝地點 Location:遼寧瀋陽 Shenyang, Liaoning
■ 拍攝設定 Exposure:28mm, f/2.8, 1/30s


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