Winning Works
得獎作品
現代禁錮｜鍾鎮予
入選 Selected Work Award
在這個社交媒體無限發酵的時代，言論自由與其受到的規範不明確，世界開始變得容易對人評頭論足 。 別人的言論自由，反而形成一種自我的限制，會不由自主地把他人的想法和強加的文字置於自己身上，彷彿我們被困在那個框架裡無法掙脫，只能不斷接受外界塞進來的文字。在這樣的環境下，我們的思想和行為似乎不再完全由自己主宰，而是被外界的聲音所操控。我們不停地接受來自四面八方的評論，無法屏蔽那些我們不接收到的資訊，就像被困在一個無法逃脫的牢籠裡。此系列作品用光線模擬螢幕發出來的光，象徵著螢幕邊緣的框架。光是壓力的代表，也象徵著無形的枷鎖，黑暗區隔著主角與世界的距離，我們都很難脫離他人言論的束縛，就好像在一個框架中，想出去，卻出不去。
In a time when social media developing and the freedom of speech and its rules are unclear, people judge others easily. The freedom of others' speech unconsciously imposes their way of thinking and opinions on us, trapping us in a cycle of external judgment we can't escape, except by continually receiving outside commentary.Under this circumstance, neither our thoughts nor our behavior are under our control but the manipulation from outside. By continously receiving comments from all directions, we cannot shut down those unwanted information, as though we were being captured in an unescapable confinement.This series of works uses light to simulate the light emitted by screens.Light represents pressure and symbolizes an invisible shackle, with darkness separating the protagonist from the world. We all find it difficult to break free from the constraints of others' opinions, as if trapped within a frame—wanting to escape, but unable to do so.
■ 拍攝年份 Year：2024
■ 拍攝地點 Location：台北Taipei
現代禁錮｜鍾鎮予
入選 Selected Work Award
在這個社交媒體無限發酵的時代，言論自由與其受到的規範不明確，世界開始變得容易對人評頭論足 。 別人的言論自由，反而形成一種自我的限制，會不由自主地把他人的想法和強加的文字置於自己身上，彷彿我們被困在那個框架裡無法掙脫，只能不斷接受外界塞進來的文字。在這樣的環境下，我們的思想和行為似乎不再完全由自己主宰，而是被外界的聲音所操控。我們不停地接受來自四面八方的評論，無法屏蔽那些我們不接收到的資訊，就像被困在一個無法逃脫的牢籠裡。此系列作品用光線模擬螢幕發出來的光，象徵著螢幕邊緣的框架。光是壓力的代表，也象徵著無形的枷鎖，黑暗區隔著主角與世界的距離，我們都很難脫離他人言論的束縛，就好像在一個框架中，想出去，卻出不去。
In a time when social media developing and the freedom of speech and its rules are unclear, people judge others easily. The freedom of others' speech unconsciously imposes their way of thinking and opinions on us, trapping us in a cycle of external judgment we can't escape, except by continually receiving outside commentary.Under this circumstance, neither our thoughts nor our behavior are under our control but the manipulation from outside. By continously receiving comments from all directions, we cannot shut down those unwanted information, as though we were being captured in an unescapable confinement.This series of works uses light to simulate the light emitted by screens.Light represents pressure and symbolizes an invisible shackle, with darkness separating the protagonist from the world. We all find it difficult to break free from the constraints of others' opinions, as if trapped within a frame—wanting to escape, but unable to do so.
■ 拍攝年份 Year：2024
■ 拍攝地點 Location：台北Taipei
現代禁錮｜鍾鎮予
入選 Selected Work Award
在這個社交媒體無限發酵的時代，言論自由與其受到的規範不明確，世界開始變得容易對人評頭論足 。 別人的言論自由，反而形成一種自我的限制，會不由自主地把他人的想法和強加的文字置於自己身上，彷彿我們被困在那個框架裡無法掙脫，只能不斷接受外界塞進來的文字。在這樣的環境下，我們的思想和行為似乎不再完全由自己主宰，而是被外界的聲音所操控。我們不停地接受來自四面八方的評論，無法屏蔽那些我們不接收到的資訊，就像被困在一個無法逃脫的牢籠裡。此系列作品用光線模擬螢幕發出來的光，象徵著螢幕邊緣的框架。光是壓力的代表，也象徵著無形的枷鎖，黑暗區隔著主角與世界的距離，我們都很難脫離他人言論的束縛，就好像在一個框架中，想出去，卻出不去。
In a time when social media developing and the freedom of speech and its rules are unclear, people judge others easily. The freedom of others' speech unconsciously imposes their way of thinking and opinions on us, trapping us in a cycle of external judgment we can't escape, except by continually receiving outside commentary.Under this circumstance, neither our thoughts nor our behavior are under our control but the manipulation from outside. By continously receiving comments from all directions, we cannot shut down those unwanted information, as though we were being captured in an unescapable confinement.This series of works uses light to simulate the light emitted by screens.Light represents pressure and symbolizes an invisible shackle, with darkness separating the protagonist from the world. We all find it difficult to break free from the constraints of others' opinions, as if trapped within a frame—wanting to escape, but unable to do so.
■ 拍攝年份 Year：2024
■ 拍攝地點 Location：台北Taipei
現代禁錮｜鍾鎮予
入選 Selected Work Award
在這個社交媒體無限發酵的時代，言論自由與其受到的規範不明確，世界開始變得容易對人評頭論足 。 別人的言論自由，反而形成一種自我的限制，會不由自主地把他人的想法和強加的文字置於自己身上，彷彿我們被困在那個框架裡無法掙脫，只能不斷接受外界塞進來的文字。在這樣的環境下，我們的思想和行為似乎不再完全由自己主宰，而是被外界的聲音所操控。我們不停地接受來自四面八方的評論，無法屏蔽那些我們不接收到的資訊，就像被困在一個無法逃脫的牢籠裡。此系列作品用光線模擬螢幕發出來的光，象徵著螢幕邊緣的框架。光是壓力的代表，也象徵著無形的枷鎖，黑暗區隔著主角與世界的距離，我們都很難脫離他人言論的束縛，就好像在一個框架中，想出去，卻出不去。
In a time when social media developing and the freedom of speech and its rules are unclear, people judge others easily. The freedom of others' speech unconsciously imposes their way of thinking and opinions on us, trapping us in a cycle of external judgment we can't escape, except by continually receiving outside commentary.Under this circumstance, neither our thoughts nor our behavior are under our control but the manipulation from outside. By continously receiving comments from all directions, we cannot shut down those unwanted information, as though we were being captured in an unescapable confinement.This series of works uses light to simulate the light emitted by screens.Light represents pressure and symbolizes an invisible shackle, with darkness separating the protagonist from the world. We all find it difficult to break free from the constraints of others' opinions, as if trapped within a frame—wanting to escape, but unable to do so.
■ 拍攝年份 Year：2024
■ 拍攝地點 Location：台北Taipei
現代禁錮｜鍾鎮予
入選 Selected Work Award
在這個社交媒體無限發酵的時代，言論自由與其受到的規範不明確，世界開始變得容易對人評頭論足 。 別人的言論自由，反而形成一種自我的限制，會不由自主地把他人的想法和強加的文字置於自己身上，彷彿我們被困在那個框架裡無法掙脫，只能不斷接受外界塞進來的文字。在這樣的環境下，我們的思想和行為似乎不再完全由自己主宰，而是被外界的聲音所操控。我們不停地接受來自四面八方的評論，無法屏蔽那些我們不接收到的資訊，就像被困在一個無法逃脫的牢籠裡。此系列作品用光線模擬螢幕發出來的光，象徵著螢幕邊緣的框架。光是壓力的代表，也象徵著無形的枷鎖，黑暗區隔著主角與世界的距離，我們都很難脫離他人言論的束縛，就好像在一個框架中，想出去，卻出不去。
In a time when social media developing and the freedom of speech and its rules are unclear, people judge others easily. The freedom of others' speech unconsciously imposes their way of thinking and opinions on us, trapping us in a cycle of external judgment we can't escape, except by continually receiving outside commentary.Under this circumstance, neither our thoughts nor our behavior are under our control but the manipulation from outside. By continously receiving comments from all directions, we cannot shut down those unwanted information, as though we were being captured in an unescapable confinement.This series of works uses light to simulate the light emitted by screens.Light represents pressure and symbolizes an invisible shackle, with darkness separating the protagonist from the world. We all find it difficult to break free from the constraints of others' opinions, as if trapped within a frame—wanting to escape, but unable to do so.
■ 拍攝年份 Year：2024
■ 拍攝地點 Location：台北Taipei