展覽介紹

自2018年創辦以來，「Photo GO 攝影上桌」已成為台灣年輕攝影創作者的重要平台，成功舉辦六屆，展現出攝影與文化的深刻連結。以 45 歲以下年輕攝影師為核心，該活動透過公開徵件，挖掘最具創意與實驗精神的作品，並以獨特的「辦桌」形式展示，為台灣藝術界帶來耳目一新的視覺體驗與文化碰撞。這種形式突破了傳統攝影展的框架，將圓桌作為藝術家的創作場域，使影像透過多媒材與立體裝置進行多元化的呈現，讓攝影作品跳脫牆面展示的侷限。同時，觀眾從被動的旁觀者轉化為主動的參與者，成為影像敘事的一部分，進而透過攝影家、策展人與觀眾之間的互動，激發創作者更多靈感，建構出充滿張力的藝術對話。這一特色不僅成為活動的核心價值，更奠定了其在台灣藝術生態中的獨特地位。

在過去，試圖以一個微觀性的角度觀察城市中棲息的語言：存在與消散、痕跡與空白，印象零零星星；以植物 —人類生活裡親近又陌生的他者，結合光線、影像、素描作為身體的移動，反覆書寫那不復存在的界線，標記著不可見卻綿延的漂流過程，猶如大氣中流動的細胞，滋生、觸碰、游離，停止不休 (cell movement)。

In earlier stages of the project, I sought to observe the languages inhabiting the city through a microscopic lens—oscillating between presence and disappearance, trace and void, with impressions emerging in fragmented and dispersed forms. By engaging with plants — that are at once intimate and estranged within human life — integrating the light, images, and drawing as modes of embodied movement, I repeatedly inscribed boundaries that no longer exist, marking an invisible yet continuous process of drifting. This process may be understood as analogous to cellular movement within the atmosphere: proliferating, making contact, dispersing, and remaining in perpetual motion (cell movement).

黎青青，香港人，現於台灣生活和學習。嘗試以版畫反覆移動感受身體書寫的狀態，作品常以影像與素描呈現植物的話語、面貌、生存空間與人們的記憶距離。

Lai Ching Ching from Hong Kong, currently based in Taiwan. Her work practice combines drawing, imagery and printmaking to explore the fundamental nature of matter and the flow of cells. Through her works to examine the language, appearance, and living environments of plants, as well as the emotional and spatial distance between nature and human memory.