展覽介紹


Exhibitions



▍《在》/《Being》

2025 年底,摯友小八面臨一同生活十五年的貓咪辛巴罹癌,走向離世的過程。他在社群中寫下安寧照護的觀察與心境,我則以鏡頭為他們記錄這段最後的旅程。作為存在,小八與辛巴相互支撐,成為彼此的意義。這段拍攝的過程,我重新感受到攝影的另一種可能——攝影不只作為創造與紀錄的藝術,也能成為陪伴,與他者共在。

安寧照護的日子隨未知而跌宕,焦慮、恐懼、安慰與悲傷不斷交錯,我在小八專注照護的身後仔細凝視,鏡頭的「在」成為照護者的隱形後盾,攝影不再只是擷取,它延續了辛巴的「在」,成為陪伴的一種形體——被攝者們與攝者,於這場有限之中,成為對彼此存在溫柔的回應。

At the end of 2025, my close friend Hachi faced the final journey of Simba, the cat who had lived by her side for fifteen years, after being diagnosed with cancer. While Hachi shared her reflections and emotions about palliative care on social media, I picked up my camera to document their last days together.

As beings, Hachi and Simba held each other up — they were each other’s meaning. Through this process of photographing, I rediscovered another possibility of photography itself:beyond creation and documentation, it can also be a gesture of companionship — a way of being together with the other.

The days of palliative care rose and fell with uncertainty, woven through with anxiety, fear, comfort, and sorrow. Standing behind Hachi’s focused care, I observed intently. The camera’s “Being” became an invisible support to the caregiver. Photography was no longer just about capturing; it carried forward Simba’s existence and became a form of companionship. Within these finite moments, both the photographed and the photographer offered a gentle response to each other’s being.

▍姚愛寗 Ai Ning Yao

姚愛寗,1990年生於台灣,演員、攝影師、作家。
2013年以電影《共犯》出道,其後展開與表演藝術的深厚連。熱愛影像語言與感知經驗的交會,並以流動、細膩的視角建構獨特的敘事節奏。攝影之路始於大學時期家中偶然發現的Nikon FM2。作品以凝視、留白與情感張力為核心,探索記憶與感知的邊界。2022年出版攝影集《みつめ》並舉辦同名攝影展,呈現遊走於靜謐的視覺語彙。2025年底將舉辦第二次個展《餘像14.344》,延續其對影像與情感的探問與體驗。

Ai Ning Yao, born in 1990 in Taiwan, an actor, photographer, and writer. She made her debut in 2013 with the film Partners in Crime, which marked the beginning of a profound engagement with screen performance. Passionate about the intersection of visual language and sensory experience, she approaches her work through a fluid and nuanced gaze, constructing a distinctive narrative rhythm.

Her photographic journey began in college after discovering a Nikon FM2 at home. Her work centers on the act of gazing, negative space, and emotional tension, exploring the boundaries between memory and perception. In 2022, she published the photobook Mitsume and held a solo exhibition of the same name, presenting a quiet yet resonant visual language. Her second solo exhibition, Afterimage 14.344, is scheduled for late 2025, continuing her exploration of image and emotion.


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