展覽介紹

自2018年創辦以來，「Photo GO 攝影上桌」已成為台灣年輕攝影創作者的重要平台，成功舉辦六屆，展現出攝影與文化的深刻連結。以 45 歲以下年輕攝影師為核心，該活動透過公開徵件，挖掘最具創意與實驗精神的作品，並以獨特的「辦桌」形式展示，為台灣藝術界帶來耳目一新的視覺體驗與文化碰撞。這種形式突破了傳統攝影展的框架，將圓桌作為藝術家的創作場域，使影像透過多媒材與立體裝置進行多元化的呈現，讓攝影作品跳脫牆面展示的侷限。同時，觀眾從被動的旁觀者轉化為主動的參與者，成為影像敘事的一部分，進而透過攝影家、策展人與觀眾之間的互動，激發創作者更多靈感，建構出充滿張力的藝術對話。這一特色不僅成為活動的核心價值，更奠定了其在台灣藝術生態中的獨特地位。

望向大海的時候，你看見什麼？

岸邊的石花菜、海面下的悠游河豚、海底的璀璨珊瑚。而在不遠的他方，有一座浮動的島逐漸壯大，滿載垃圾、纏繞海豚、攻擊海龜。載浮載沉的人造廢棄物是我們望向大海時看見、也看不見的畫面。海廢存在於此時此刻以及恆久的明天，直到人類化為塵土，他們依然相伴左右。製造、丟棄，有天我們將以粒子的身分再次相遇。

《海洋碎片》是我持續進行的攝影計畫。我所拍攝看似「海洋生物」的影像，其實是垃圾的遺跡。在海洋廢物日與俱增的此時此刻，我以淨灘蒐集的物件重構海洋世界的現況。載浮載沉的廢棄物，已經成為我們的望眼所及，看著大海的同時，是否也是看著垃圾呢？

What do you see when you gaze into the deep blue?

Seaweed on the rocks, pufferfish swimming, and coral reefs underwater. Somewhere not too far away, a floating island of trash is growing, entangling dolphins, and harming turtles. Manmade rubbish is what we see and can’t see when we look out at the ocean. Marine debris is present today and will persist tomorrow, remaining long after humans have turned to dust. We make and discard, and one day, we will meet again as particles.

Fragments of the Sea is my ongoing project. The images I capture, which appear to depict "marine life," are, in fact, remnants of discarded waste. At a time when marine pollution continues to escalate, I reconstruct the current state of the ocean using objects collected during beach cleanups. Floating and sinking debris has become an unavoidable part of our view. As we gaze upon the sea, are we also looking at trash?

英國布萊頓大學攝影碩士、政治大學外交系/中文系畢業。喜歡攝影中的詩性，靈感來自於大自然或人與人之間的情感。影像作品反映生命的美、脆弱和複雜性，持續進行的《海洋碎片計畫》從英國漂回台灣，再從台灣漂到世界各地。

Yu-Chen Lee is a Taiwanese artist who works with photography. Her work explores the delicate connections between humans, animals, and the natural world. With a focus on themes such as animal welfare, marine debris, and the emotional bonds that tie us together, her photographs are a reflection of the beauty, fragility, and complexity of life.